My music reviews are mostly published on thequietus.com. They cover folk, psychedelia, electronics and, err… Gaelic free heterophony.

Allison Cotton – The Portrait You Painted of Me (2022)

William William Rodgers Sings the Yellow Pages (2022)

Duncan Marquiss – Wires Turned Sideways in Time (2022)

C Joynes – Poor Boy on the Wire (2021)

Four Assignments – Max Syedtollan & Plus-Minus Ensemble (2021)

The Witching Tale (2021)

Spencer Cullum’s Coin Collection (2021)

Crowlink – Shirley Collins (2021)

The Old Fabled River – Alasdair Roberts og Völvur (2021)

whence, the – Thirty Pounds of Bone (2021)

Only Darkness Now – Alison Cotton (2020)

Inwards opened the floor – Staraya Derevnya (2020)

The Pipe Factory – John Mulhearn (2020)

Hip to the Jag – Kavus Torabi (2020)

To Kiss Earth Goodbye – Teleplasmiste (2020)

Home Time – Darren Hayman (2020)

The Great Mountain – Waterless Hills (2020)

Discontent is a Luxury of the Well-To-Do – Incredible Self Confidence (2019)

Still Every Year They Went – Thirty Pounds of Bone and Philip Reeder (2019)

The Mind is a Trap – Serafina Steer (2019)

The Fiery Margin – Alasdair Roberts (2019)

Chanctonbury Rings – Justin Hopper & Sharron Kraus with the Belbury Poly (2019)

Astral Social Club & Grumbing Fur Time Machine Orchestra – Plasma Splice Trifle (2019)

C. Joynes and the Furlong Bray – The Borametz Tree (2019)

Laurence Pike – Holy Spring (2019)

Laura Cannell – The Sky Untuned (2019)

Leafcutter John – Yes! Come Parade With Us (2019)

Incredible Self Confidence – EP#1

Teeth of the Sea – Wraith (2019)

Brìghde Chaimbeul – The Reeling (2019)